By Claire Crompton
Publisher: David & Charles
Publication Date: 2011-05-12
Number of Pages: 128
Synopsis from Amazon:
Over two hundred all-new crochet stitches, gildings and trims make this the one-stop store for all artistic crocheters. each sew is proven as a transparent swatch to teach the impact and texture, and the trend is given either written and as an easy-to-follow diagram. comfortably grouped crochet motifs, stitches and edgings permit for simple looking and placement of favorites. Teaches crafters the best way to make the easiest of the textural, 3D nature of crochet - ideal whilst materials and knitting simply don't reduce it!
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Additional info for 200 Crochet Flowers, Embellishments & Trims: Contemporary designs for embellishing all of your accessories
A straight stitch made a quick finish and gives a clean, elegant look. To finish off, follow the instructions for the Crazy Binding. Sarah created a striking design with the black cotton thread and many different stitches. Materials Top Squares Backing Squares Sashing & Binding 90"-wide Batting 45"-wide Batting Decorative Threads 12 fat quarters 12 fat quarters or 3 yd. 1½ yd. based upon 44" bolt - or if the width-of-fabric is less than 44"- 1¾ yd. 12⁄3 yd. or 60" 31⁄3 yd. or 120" 50-weight black cotton 43 Fossil Fern Flannel Marguerita McManus I really cheated on this quilt.
Cut #2 Be sure to review the chapter “Design Your Own” if you want to significantly change the cutting pattern. Start by cutting just one square of fabric. There are no precise measurements, other than consistency in the cutting. We accomplish this by cutting one square and using that cut piece as a template for cuts in all the other squares. Cut #3 You can make yourself a larger drawing on paper as a guide for your quilt if you want. We will sometimes tape a drawing to the wall next to the cutting mat while making the cuts.
Sarah picked it up and said “no, it goes with the greens in the ﬂorals” and Tom came back with a periwinkle blue rose fabric with touches of green that we all immediately fell in love with. Sarah pointed out that the green tonal went with both the top fat quarters and the beautiful periwinkle blue rose fabric. She counted up the yardage and calculated that there was just enough for the quilt and we were all sold. This was truly a group eﬀort that worked out beautifully. I chose Sulky rayon threads that matched both the top and backing fabrics and got to work.